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During the Balkan Wars and World War I he led the Montenegrin Army with his father (the King), Janko Vukotić, and Mitar Martinović.On 1 March 1921 Danilo was proclaimed the rightful King of Montenegro (upon the death of his father) and became head of the government-in-exile until 7 March 1921 when, for reasons that are still unclear, Danilo renounced his royal claims and headship of the ...
Danilo I Petrović-Njegoš (Serbian Cyrillic: Данило I Петровић-Његош; 25 May 1826 – 13 August 1860) was the ruling Prince of Montenegro from 1851 to 1860. The beginning of his reign marked the transition of Montenegro from a traditional theocratic form of government ( Prince-Bishopric ) into a secular Principality .
In 1697, the office was made hereditary in the Petrović-Njegoš family. [15] However, since Orthodox bishops are required to be celibate, the crown passed from uncle to nephew. In 1852, Prince-Bishop Danilo II opted to marry and to secularize Montenegro, becoming Prince Danilo I. [15] [16] His successor, Nikola I, raised Montenegro to a ...
Aleksandar "Saša" Petrović was another of the major figures of the Black Wave. He contributed to the popularization of the movement, both in Yugoslavia and abroad. Two of his works were nominated for the Academy Award for Best Foreign Language Film: Three (1965) in 1966 [15] [16] and I Even Met Happy Gypsies in 1967. [17] [18]
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Danilo I Petrović-Njegoš (Serbian Cyrillic: Данило I Петровић-Његош; 1670 – 11 January 1735) was the Metropolitan of Cetinje between 1697 and 1735, and the founder of the House of Petrović-Njegoš, which ruled Montenegro from 1697 to 1918. He was also known by the patronymic Danilo Šćepčević.
Danilo Petrović-Njegoš may refer to: Danilo I, Metropolitan of Cetinje (1670–1735), Metropolitan of Cetinje Danilo I, Prince of Montenegro (1826–1860), ruling Prince of Montenegro
Petrović found inspiration for this film in Fyodor Dostoyevsky's novel The Possessed. [6] The film was nominated for a Palme d'Or (Golden Palm) at the 1969 Cannes Film Festival [7] In 1973, Petrović was forced to leave his post at the Belgrade Film Academy after being accused of holding anti-communist views by the communist government of ...