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The Music Lesson is a mature work of Vermeer and his handling of color and his choice of painting materials [8] is but one of the aspects proving his mastery. The painting is dominated by dark areas such as the bluish-black floor painted in bone black with the addition of natural ultramarine .
Its dimensions are 50.5 by 46 cm. It is now one of three pictures by Vermeer in The Frick Collection in New York. [2] [3] Officer and Laughing Girl includes many of the characteristics of Vermeer's style. The main subject is a woman in a yellow dress, light is coming from the left-hand side of the painting from an open window, and there is a ...
Metropolitan Museum of Art, New York: The Allegory of Painting, also known as The Art of Painting: 1666–67 or c. 1666–68 [8] Oil on canvas, 100 × 120 cm Kunsthistorisches Museum, Vienna: Mistress and Maid, also known as Lady with her Maidservant Holding a Letter: 1667/68 Oil on canvas, 90.2 × 78.7 cm Frick Collection, New York
In 2019, it was decided by the Staatliche Kunstsammlungen Dresden (State Arts Collection in Dresden) to restore the painting to its original composition by Vermeer. [3] The painting of Cupid on the wall behind the girl resembles a painting from Vermeer's own collection of art, a painting by Cesar van Everdingen. [2]
The Concert (Dutch: Het concert) (c. 1664) is a painting by the Dutch artist Johannes Vermeer depicting a man and two women performing music. It was stolen on March 18, 1990, from the Isabella Stewart Gardner Museum in Boston and remains missing. [1]
A Young Woman Seated at the Virginals is a painting by Johannes Vermeer, though this was for a long time widely questioned. A series of technical examinations from 1993 onwards confirm the attribution. [1] [2] [3] It is thought to date from c.1670 and is now in part of the Leiden Collection in New York. [4]
Mistress and Maid (Dutch: Dame en dienstbode) is an oil-on-canvas painting produced by Johannes Vermeer c. 1667. It portrays two women, a mistress and her maid, as they look over the mistress' letter. The painting displays Vermeer's preference for yellow and blue, female models, and domestic scenes. It is now in the Frick Collection in New York ...
Though no longer extant, the map's existence is known from archival sources and the second edition published by Willem Blaeu in 1621, titled Nova et Accurata Totius Hollandiae Westfriesiaeq. Topographia, Descriptore Balthazaro Florentio a Berke[n]rode Batavo. Vermeer must have had a copy at his disposal (or the earlier one published by Van ...
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