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Inside Llewyn Davis (/ ˈ l uː ɪ n /) is a 2013 period black comedy drama film written, directed, produced, and edited by Joel and Ethan Coen.Set in 1961, the film follows one week in the life of Llewyn Davis, played by Oscar Isaac in his breakthrough role, a folk singer struggling to achieve musical success while keeping his life in order.
[3] [4] Upon release, review aggregator Rotten Tomatoes surveyed 233 reviews and judged 95 percent to be positive. [5] At the 86th Academy Awards, Inside Llewyn Davis was nominated for Best Cinematography and Best Sound Mixing, but lost both to Gravity.
Listed here are the top ten best and worst British films of those released in 2013, and listed above as major releases, as per the review aggregators Rotten Tomatoes and Metacritic. The critical scores for Rotten Tomatoes are out of a maximum score of 100, as is the critical score for Metacritic.
The Ladykillers received mixed reviews. On Rotten Tomatoes, the film has an approval rating of 54% based on reviews from 192 critics, with an average rating of 6.10/10. The site's consensus states: "Hanks' performance in the lead role is inspired, but this is a relatively minor offering from the Coen brothers."
On review aggregator Rotten Tomatoes, the film has an approval rating of 75% based on 187 reviews, with an average rating of 6.80/10. The website's critical consensus reads, "Though more mainstream than other Coen films, there are still funny oddball touches, and Clooney and Zeta-Jones sizzle like old-time movie stars."
Now for the first time, Christine and David are taking fans inside their wedding with the trailer for their two-part wedding special set to air Jan. 7 and Jan. 14 on TLC."I'm.
Mulligan continued to garner praise for such films as the dystopian drama Never Let Me Go (2010), the action film Drive (2011), the psychological drama Shame (2011), the dark musical Inside Llewyn Davis (2013), the romantic drama Far from the Madding Crowd (2015), the historical drama Mudbound (2017), the coming of age film Wildlife (2018), and ...
The film is a fitting conclusion to the summer of Barbenheimer