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Italian verbs have a high degree of inflection, the majority of which follows one of three common patterns of conjugation. Italian conjugation is affected by mood, person, tense, number, aspect and occasionally gender. The three classes of verbs (patterns of conjugation) are distinguished by the endings of the infinitive form of the verb:
The formal plural is very rarely used in modern Italian; the unmarked form is widely used instead. [19] For example: Gino, Lei è un bravo ingegnere. Marco, Lei è un bravo architetto. Insieme, voi sarete una gran bella squadra. ("Gino, you are a good engineer. Marco, you are a good architect. Together, you will make a very good team.").
This is an accepted version of this page This is the latest accepted revision, reviewed on 17 February 2025. Interjection Yo is a slang interjection, commonly associated with North American English. It was popularized by the Italian-American community in Philadelphia, Pennsylvania, in the 1940s. Although often used as a greeting and often deployed at the beginning of a sentence, yo may also ...
A two-part musical form Cadenza: falling: A florid solo at the end of a performance Cantata: sung: A piece for orchestra and singers Capriccio: caprice: A lively piece, free in form, often used to show musical skill Cavatina: small instrumental tone: A simple melody or song Coda: tail: The end of a piece Concerto: concert
Indeed, the "lunfardo" word comes from a deformation of "lombardo", an Italian dialect (from Lombardia) spoken by northern Italian emigrants to the Buenos Aires region. Other local dialects in Latinoamerica created by the Italian emigrants are the Talian dialect in Brazil and the Chipilo dialect in Mexico. The following is a small list:
Italian farmers used to growing lemons and pears are increasingly turning to tropical fruits like mango. The change is driven by warmer temperatures and a higher sales price, according to Pietro ...
abaco - abacus; abat-jour - bedside lamp; abate - abbot; abbacchiato - depressed/down; abbacinare - to dazzle; abbacinato - dazzled; abbagliante - dazzling
In Italian phonemic distinction between long and short vowels is rare and limited to a few words and one morphological class, namely the pair composed by the first and third person of the historic past in verbs of the third conjugation—compare sentii (/senˈtiː/, "I felt/heard'), and sentì (/senˈti/, "he felt/heard").