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First, every MIU-string can be translated to an integer by mapping the letters M, I, and U to the numbers 3, 1, and 0, respectively. (For example, the string MIUIU would be mapped to 31010.) Second, the single axiom of the MIU system, namely the string MI, becomes the number 31. Third, the four formal rules given above become the following:
3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant substitute: ii– ♭ III + –I: 3: Mix. vii o 7 /V–V–I (common in ragtime) vii o 7 /V–V–I: 3: Major Andalusian cadence: iv–III– ♭ II–I: 4: PD Backdoor ...
CHurch has six letters. 7 /k/, /ɡ/ k, hard c, q, hard g, ch (as sounded in loch), Both upper case K and lower case k look like two small 7s on their sides. In some fonts, the lower-right part of the upper case G looks like a 7. G is also the 7th letter of the alphabet. The velar stops /k/ and /ɡ/ form a voiceless and voiced pair. 8 /f/, /v/
Aboard – SS, or a word inside the letters SS; About – C or CA (circa) or RE; Academic – DD (doctor of divinity) or PROF; Acceleration – G; Accepted – A; Account – AC; Accountant – CA (chartered accountant) Ace – A or AI (A-1) Advert – AD; Afternoon – PM; Against – V or VS (versus) Agent – REP (representative ...
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De Keyser's Royal Hotel, later Adastral House and MI7(b)'s headquarters. From April 1916, when it was first established under the direction of Captain Peter Chalmers Mitchell, until early October 1917, most of MI7(b)'s staff worked from Adelphi Court, on the Strand, London, whereupon the whole section moved into Adastral House on the Victoria Embankment.
Just weeks after losing their Malibu home in the fatal Los Angeles fires, Milo Ventimiglia and his wife, Jarah Mariano, welcomed their first child — which is a nice reminder that sweet ...
Locrian is the word used to describe an ancient Greek tribe that habited the three regions of Locris. [1] Although the term occurs in several classical authors on music theory, including Cleonides (as an octave species) and Athenaeus (as an obsolete harmonia), there is no warrant for the modern use of Locrian as equivalent to Glarean's hyperaeolian mode, in either classical, Renaissance, or ...