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For the current location the city is mentioned first, it is most unambiguous and allows to combine multiple galleries of that city. The gallery where the work is displayed is mentioned second, followed by the name of the actual superordinate collection owning the work (on first appearance in the list only).
The Complete Engravings, Etchings and Drypoints of Albrecht Durer. Mineola NY: Dover Publications, 1973. ISBN 0-486-22851-7; Borchert, Till-Holger. Van Eyck to Dürer: The Influence of Early Netherlandish painting on European Art, 1430–1530. London: Thames & Hudson, 2011. ISBN 978-0-500-23883-7; Wolf, Norbert. Albrecht Dürer. Cologne ...
Adam and Eve, 1504, engraving with burin on copper, 25.1 x 19.8 cm Adam and Eve, 1507, oil on wood panel, 208 x 91 cm per panel. Museo del Prado.. Adam and Eve is the title of two famous works in different media by Albrecht Dürer, a German artist of the Northern Renaissance: an engraving made in 1504, and a pair of oil-on-panel paintings completed in 1507.
Man painting a portrait: 337 B. 146 C. D. 150 194 1525 Man drawing a lute: 338 B. 147 C. D. 151 195 1525 Draughtsman drawing a vase: 339 B. 148 C. D. 152 196 1525 Draughtsman Drawing a Recumbent Woman: 340 B. 149 C. D. 153 197 1525 The Holy Family on a Grassy Bench (uncertain authorship) 341 B. 98 C. D. 154 340 1526 Helius Eobanus Hessus
Young Hare (German: Feldhase) is a 1502 watercolour and bodycolour painting by German artist Albrecht Dürer.Painted in 1502 in his workshop, it is acknowledged as a masterpiece of observational art alongside his Great Piece of Turf from the following year.
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The Four Apostles by is a Renaissance style diptych painting created by Albrecht Dürer in 1526. [1] This work, which includes two oil-on-panel paintings, depicts four prominent figures of Christianity: Saints John, Peter, Mark, and Paul.
Image Title Year Technique Dimensions Bartsch; Сonversion of Paul: 1494: Copper engraving: 295 × 217 mm: Young Woman Attacked by Death; or The Ravisher: 1495–1495
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