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"To Marguerite: Continued" is a poem by Matthew Arnold. It was first published in Empedocles on Etna , with the title, "To Marguerite, in Returning a Volume of the Letters of Ortis". In the 1857 edition, the poem is printed as a sequel to the poem "Isolation: To Marguerite." There, it first adopted the simplified title.
The poem, described as a "drama of literary anguish", is a dramatic interior monologue of an urban man stricken with feelings of isolation and an incapability for decisive action that is said "to epitomize [the] frustration and impotence of the modern individual" and "represent thwarted desires and modern disillusionment". [5]
First appearing simply as "The Lake" in Poe's 1827 collection Tamerlane and Other Poems, the amended title appeared in 1829 collected in Al Aaraaf, Tamerlane, and Minor Poems. The poem is a celebration of loneliness and the thoughts inspired by a remote lake.
The Collected Poems of J.R.R. Tolkien is a 2024 book of poetry of the English philologist, poet, and author J. R. R. Tolkien, edited by Tolkien scholars, wife and husband Christina Scull and Wayne G. Hammond. Its three volumes contain some 900 versions of 195 poems, among them around 70 previously unpublished.
The poem is ten lines total, split into two stanzas of five lines. The poem deals with the theme of isolation, particularly the isolation of an individual soul in relation to the larger world. Whitman uses a central extended metaphor in which the spider in the poem represents the speaker's soul. [4]
The poem follows a common theme in much of Tennyson's work—that of despondent isolation. The subject of "Mariana" is a woman who continuously laments her lack of connection with society. The isolation defines her existence, and her longing for a connection leaves her wishing for death at the end of every stanza.
"The Hollow Men" (1925) is a poem by the modernist writer T. S. Eliot. Like much of his work, its themes are overlapping and fragmentary, concerned with post–World War I Europe under the Treaty of Versailles, hopelessness, religious conversion, redemption and, some critics argue, his failing marriage with Vivienne Haigh-Wood Eliot. [2]
The poem received mixed reviews from critics, and Coleridge was once told by the publisher that most of the book's sales were to sailors who thought it was a naval songbook. Coleridge made several modifications to the poem over the years. In the second edition of Lyrical Ballads, published in 1800, he replaced many of the archaic words.