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Traditional African masks. Traditional African masks are worn in ceremonies and rituals across West, Central, and Southern Africa. They are used in events such as harvest celebrations, funerals, rites of passage, weddings, and coronations. Some societies also use masks to resolve disputes and conflicts.
Gelede mask from the Yoruba people of Nigeria. Held at the Birmingham Museum of Art. The Gẹlẹdẹ spectacle of the Yoruba is a public display by colorful masks which combines art and ritual dance to amuse, educate and inspire worship. [1] Gelede celebrates “Mothers” (awon iya wa), a group that includes female ancestors and deities as ...
Mmanwu // ⓘ is a traditional masquerade of the Igbo people of Southeastern Nigeria. They are performed only by males in exclusive secret societies and involve the use of elaborate, colorful costumes that are meant to invoke ancestral spirits. [1] Masquerade traditions have a varied range of purposes that span from performing elements of epic ...
Ijele is the largest mask system ever to enter the history of the world masking tradition. It comprises two segments: the upper and the lower segments, divided at the centre by a big python. The upper segment is called Mkpu Ijele while the lower segment is called Akpakwuru Ijele or Ogbanibe and the centre is called Eke - Ogba (Python).
Many types of masks are used by the Northern Edo. Like most masks created in Africa, it represents the presence of a spirit. The intention behind an African mask is not to depict something realistic or naturalistic, as the African ideal aspires to capture the essence of the spirit represented. Therefore, abstraction and distortion are often seen.
Igbo art. Igbo art (Igbo: Ǹkà Igbo) is any piece of visual art originating from the Igbo people. The Igbo produce a wide variety of art including traditional figures, masks, artifacts and textiles, plus works in metals such as bronze. Artworks from the Igbo have been found from as early as 9th century with the bronze artifacts found at Igbo Ukwu.
Benin ivory mask. One of four related ivory pendant masks, taken during the punitive expedition of 1897. Measurements are from the British Museum version; other versions have slightly different dimensions. The Benin ivory mask is a miniature sculptural portrait in ivory of Idia, the first Iyoba (Queen Mother) of the 16th century Benin Empire ...
Masks used offer a visual appeal for their shapes and forms. In these visible masquerades, performances of harassment, music, dance, and parodies are acted out (Oyeneke 25). The invisible masquerades take place at night. Sound is the main tool for them. The masquerader uses his voice to scream so it may be heard throughout the village.
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