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"Come Down, O Love Divine" is a Christian hymn usually sung for the festival of Pentecost. It makes reference to the descent of the Holy Spirit as an invocation to God to come to into the soul of the believer. It is a popular piece of Anglican church music and is commonly sung to the tune "Down Ampney" by Ralph Vaughan Williams.
This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
The New Century Hymnal is a comprehensive hymnal and worship book published in 1995 for the United Church of Christ.The hymnal contains a wide-variety of traditional Christian hymns and worship songs, many contemporary hymns and songs, and a substantial selection of "world music" selections (hymns and worship songs from non-European-American) origin, a full lectionary-based Psalter, service ...
This article refers to the English version. The book was published on the 150th anniversary of the publication of the first LDS hymnbook, compiled by Emma Smith in 1835. Previous hymnbooks used by the church include The Manchester Hymnal (1840), The Psalmody (1889), Songs of Zion (1908), Hymns (1927), and Hymns (1948).
Inspired by a French Christmas carol of the mid 1800s and set to the tune of the ancient hymn “Gloria,” this song is a glorious musical celebration of the birth of Christ.
The following lists contains all the hymns composed by Sankey that are found in the "1200" edition of Sacred Songs and Solos. Many of these hymns are also found in the six-volume collection, Gospel Hymns and Sacred Songs, which Sankey edited with Philip Bliss and others, which was published in the United States between 1876 and 1891. [1]
Veni Creator Spiritus (Latin: Come, Creator Spirit) is a traditional Christian hymn believed to have been written by Rabanus Maurus, a ninth-century German monk, teacher, archbishop, and saint. When the original Latin text is used, it is normally sung to a Gregorian Chant tune first known from Kempten Abbey around the year 1000.
He singled out the series of hymns for particular praise: [12] "Much of the mystical spirit of The Crucifixion is derived from its Tractarian heritage and, more to the point, from the treasure-trove of the mid-Victorian hymn repertoire, so characteristic for its colourful, devotional harmonic language. Stainer’s hymns – all winners – are ...