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Ragini Todi. Mughal, c. 1750. Salar Jung Museum. In 1570, Kshemakarna, a priest of Rewa in Central India, compiled a poetic text on the Ragamala in Sanskrit, which describes six principal Ragas—Bhairava, Malakoshika, Hindola, Deepak, Shri, and Megha—each having five Raginis and eight Ragaputras, except Raga Shri, which has six Raginis and nine Ragaputras, thus making a Ragamala family of ...
Tanjore painting is an important form of classical South Indian painting native to the town of Tanjore in Tamil Nadu. The art form dates back to the early 9th century, a period dominated by the Chola rulers, who encouraged art and literature.
"Whom even the Snakes could not frighten on the Way": The Abhisarika Heroine.Folio from the Rasamanjari series in Dogra Art Museum. Dogra Art Museum, Jammu is a government museum and the biggest in Jammu region, one of the three divisions in the north Indian union territory of Jammu and Kashmir.
Raja Balwant Singh’s Vision of Krishna and Radha by Nainsukh. Jasrota, c. 1745-1750. Metropolitan Museum of Art. The Kangra art style originated in Guler State, a small hill princely state in the Lower Himalayas in the first half of the 18th century when a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler.
[116] [117] [118] The concept that painting could be expressed mathematically, in colour and form, contributed to Cubism, the art movement that led to abstract art. [119] Metzinger, in 1910, wrote that: "[Picasso] lays out a free, mobile perspective, from which that ingenious mathematician Maurice Princet has deduced a whole geometry". [120]
Patachitra or Pattachitra is a general term for traditional, cloth-based scroll painting, [5] based in the eastern Indian states of Odisha, [6] [7] West Bengal [8] and parts of Bangladesh. Patachitra artform is known for its intricate details as well as mythological narratives and folktales inscribed in it.
Radha-Krishna theme, from the Gita Govinda in Pahari style, Garhwal sub-school. Pahari painting (lit. ' a painting from the mountainous regions, pahar meaning a mountain in Hindi ') is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from the lower Himalayan hill kingdoms of North India, during the early 17th to mid 19th century, notably Basohli ...
2.9. If it is desired to transform a square into a circle, [a cord of length] half the diagonal [of the square] is stretched from the centre to the east [a part of it lying outside the eastern side of the square]; with one-third [of the part lying outside] added to the remainder [of the half diagonal], the [required] circle is drawn. [29]