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A Western style of ornament based on Islamic arabesque developed in Europe, starting in late 15th century Venice; it has been called either moresque or western arabesque. It has been used in a great variety of the decorative arts , especially in book design and bookbinding . [ 46 ]
Arabesque and Moresque are really distinct; the latter is from the Arabian style of ornament, developed by the Byzantine Greeks for their new masters, after the conquests of the followers of Mahomet; and the former is a term pretty well restricted to varieties of cinquecento decoration, which have nothing in common with any Arabian examples in ...
This forms the basic design which is outlined in white on the wall of the mosque. That design, however, is overlaid with an intersecting tracery in blue around tiles of other colours, forming an elaborate pattern that partially conceals the original and underlying design. [16] [17] A similar design forms the logo of the Mohammed Ali Research ...
Glazed tile decoration in the cuerda seca technique was used in other early Ottoman monuments, particularly in the Green Mosque and the associated Green Tomb in Bursa (early 15th century). [2] [3] The tiles of the Green Mosque complex generally have a deep green ground mixed with combinations of blue, white, and yellow forming arabesque motifs.
Some earlier schemes create designs using mixtures of tiles each of a single colour that are either cut to shape or are small and of a few shapes, used to create abstract geometric patterns. Later large painted schemes use tiles painted before firing with a part of the scheme – a technique requiring confidence in the consistent results of firing.
Girih tiles are a set of five tiles that were used in the creation of Islamic geometric patterns using strapwork for decoration of buildings in Islamic architecture. They have been used since about the year 1200 and their arrangements found significant improvement starting with the Darb-i Imam shrine in Isfahan in Iran built in 1453.
Mudejar plasterwork, sometimes called Yeseria, includes all the Islamic motifs, such as epigraphic, “atauriques,” or arabesque ornament, and geometrical motifs, although motifs of Christian art are also included, such as Gothic vegetables and shields, they are depicted in the rhythm of Islamic tradition, which plays an important role in ...
Girih tiles can be subdivided into Penrose tiles called "dart" and "kite", but there is no evidence that this approach was used by medieval artisans. [21] Another way to create quasiperiodic patterns is by subdividing girih tiles repeatedly into smaller tiles using a subdivision rule.
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