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Shakespeare has been known as "the Bard" since the eighteenth century. [2] One who idolizes Shakespeare is known as a bardolator. The term bardolatry , derived from Shakespeare's sobriquet "the Bard of Avon" and the Greek word latria "worship" (as in idolatry , worship of idols ), was coined by George Bernard Shaw in the preface to his ...
For other uses, see Bard (disambiguation). Title-page of The Bard illustrated by William Blake, c. 1798 The Bard. A Pindaric Ode (1757) is a poem by Thomas Gray, set at the time of Edward I's conquest of Wales. Inspired partly by his researches into medieval history and literature, partly by his discovery of Welsh harp music, it was itself a potent influence on future generations of poets and ...
The Bard (1778) by Benjamin West. In Celtic cultures, a bard is an oral repository and professional story teller, verse-maker, music composer, oral historian and genealogist, employed by a patron (such as a monarch or chieftain) to commemorate one or more of the patron's ancestors and to praise the patron's own activities.
A bard is a minstrel in medieval Scottish, Irish, and Welsh societies; and later re-used by romantic writers. For its wider definition including similar roles in other societies, see List of oral repositories .
The dictionary is still available in a standard hardcover edition, though the leather-bound version appears to be out of print. Various smaller specialized redactions have been published, such as The Grove Encyclopedia of Decorative Arts, (Editor, Gordon Campbell, OUP 2006, ISBN 0195189485), The Grove Dictionary of Materials and Techniques in Art (OUP 2008, ISBN 978-0-19-531391-8), From David ...
A national poet or national bard is a poet held by tradition and popular acclaim to represent the identity, beliefs and principles of a particular national culture. [1] The national poet as culture hero is a long-standing symbol, to be distinguished from successive holders of a bureaucratically-appointed poet-laureate office.
In 2002, the project was migrated to the internet, and in 2010 it was adopted by the art history department of Duke University. [2] In 2017, the DAH was adopted by the Wired! Lab at Duke University [3] and a new version of the site was launched in 2018. [4] The project enjoys collaboration with the Journal of Art Historiography, which started ...
They can be discrete and self-contained or combine and interweave with other art forms, such as combining artwork with the written word in comics. They can also develop or contribute to some particular aspect of a more complex art form, as in cinematography. By definition, the arts themselves are open to being continually redefined.