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A Trumpeter's Lullaby is a short composition for solo trumpet and orchestra, written by American composer Leroy Anderson in 1949. The two and a half minute piece was premiered on May 9, 1950, by the Boston Pops Orchestra with Arthur Fiedler conducting and French-born American Roger Voisin as trumpet soloist. [1]
Sheet music Arban's Complete Conservatory Method for Trumpet is a method book for students of trumpet , cornet , and other brass instruments . The original edition, Grande méthode complète de cornet à pistons et de saxhorn) , was written and composed by Jean-Baptiste Arban (1825-1889) and published in Paris by Léon Escudier in 1864. [ 1 ]
Holding over 100,000 titles (750,000 sheets) this is the largest sheet music collection in the world excepting only the Library of Congress. The " Barberpole Cat Program" is a collection of 12 songs (commonly known as "polecats") that are considered standard repertoire for every barbershopper (" Let Me Call You Sweetheart ", "My Wild Irish Rose ...
The trumpet repertoire consists of solo literature and orchestral or, more commonly, band parts written for the trumpet.Tracings its origins to 1500 BC, the trumpet is a musical instrument with the highest register in the brass family.
Barbershop harmony is a style of unaccompanied vocal music characterized by consonant four-part chords for every melody note in a predominantly homophonic texture. Each of the four parts has its own role: the lead sings the melody, with the tenor harmonizing above the melody, the bass singing the lowest harmonizing notes, and the baritone completing the chord.
Media in category "Barbershop music" The following 2 files are in this category, out of 2 total. Barbershop swipe - Sweet Rosie O'Grady - Shannon Quartet 1924.mid 7.8 s; 562 bytes
Chamber music: 31: 1956: Summer Music for Wind Quintet: for flute, oboe, clarinet, horn and bassoon Chamber music: 1960s: Chorale for Washington Cathedral: for brass and timpani Chamber music: 38a: 1961: Canzone: for flute or violin, and piano: composer's arrangement of the Piano Concerto, Op. 38, movement II Chamber music: 1967: Mutations from ...
From 1965 to 1976, Stephan was the editor-in-chief of publications for the Institute for New Music and Music Education in Darmstadt. [5] In 1967, he accepted a chair in historical musicology at the Institute of musicology, now the musicology seminar of the Institute of Theatrical Studies at the Free University of Berlin . [ 5 ]