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The Italian term maccherone, when figuratively meaning "blockhead, fool", was apparently not related to this British usage, though both were derived from the name of the pasta shape. [ 5 ] Author Horace Walpole wrote to a friend in 1764 of "the Macaroni Club [ Almack's ], which is composed of all the travelled young men who wear long curls and ...
Young Italian men wear brimless caps, The Betrothal, c. 1470 [1] As Europe continued to grow more prosperous, the urban middle classes, skilled workers, began to wear more complex clothes that followed, at a distance, the fashions set by the elites. It is in this time period that fashion took on a temporal aspect.
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
A fashion in men's clothing for the dark furs sable and marten arose around 1380, and squirrel fur was thereafter relegated to formal ceremonial wear. [14] Ermine, with their dense white winter coats, was worn by royalty, with the black-tipped tails left on to contrast with the white for decorative effect, as in the Wilton Diptych above.
As in the previous centuries, two styles of dress existed side-by-side for men: a short (knee-length) costume deriving from a melding of the everyday dress of the later Roman Empire and the short tunics worn by the invading barbarians, and a long (ankle-length) costume descended from the clothing of the Roman upper classes and influenced by Byzantine dress.
Then, like many other originally practical items in the history of men's wear, from the late 15th century onward it became elaborated enough to be seen on its own. Throughout the 250 years of its use, the doublet served the same purpose: to give the fashionable shape of the time, in order to add padding to the body under armour in war, to ...
The man on the left wears hose divided into upper hose and nether hose or stockings. The man on right wears hose slashed around one thigh, with a pouched codpiece, 1500–1510. Johannes Cuspinian wears a fur-lined brocade overgown over a front-laced red doublet and a low-necked shirt or chemise. He wears a red hat with an upturned brim, 1502–03.
Gradually it developed into a draped and pleated dress and eventually evolved into a dress worn looped and draped up over a contrasting petticoat and a stomacher. The mantua-and-stomacher resulted in a high, square neckline in contrast to the broad, off-the-shoulder neckline previously in fashion.
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