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According to the V&A, Templier "was one of a small group of innovative Art Deco designers producing work in a minimal, geometric style that looked towards Cubism and the imagery of industrial production." [3] He joined the family business in 1919. [4] In 1930, he was a founding member of The French Union of Modern Artists. [4]
Raymond Templier (1891–1968) Œvres de Pierre Legrain (1889–1929) Other members include: Rose Adler (1892–1969) Francis Bernard; André Bloc (1896–1966) A.-M. Cassandre (1901–1968) Philippe Charbonneaux (1917) Pierre Chareau (1883–1950) Marcel Gascoin (1907–1986) Adrienne Gorska (1899–1969) Pierre Guariche (1926–1995) Gabriel ...
High-context users actively embrace these tools to enhance their communication styles and contribute to the efficiency and meaning of digital interactions. In high-context cultures, where communication relies on implicit understanding and cultural cues, the use of tools reflects specific cultural norms. [35]
It is embedded in the Social Science communication approach which is based upon how culture influences communication. There are five universal conversational constraints: 1) clarity, 2) minimizing imposition, 3) consideration for the other's feelings, 4) risking negative evaluation by the receiver, and 5) effectiveness.
Summarizing an example in Conway's paper, Raymond wrote: If you have four groups working on a compiler, you'll get a 4-pass compiler. [4] [5] Raymond further presents Tom Cheatham's amendment of Conway's Law, stated as: If a group of N persons implements a COBOL compiler, there will be N−1 passes. Someone in the group has to be the manager. [4]
People who develop this communication style usually feel powerless, resentful, and stuck. [2] Passive-aggressive individuals expose their anger through procrastination, being exaggeratedly forgetful, and or being intentionally inefficient, among other things. [3] Many behavioral characteristics are identified with this communication style.
With the growing influence of electronic media in the 1940s and 1950s, political economist Harold Innis offered significant advancements to the development of medium theory with his Empire and Communications (1950) and The Bias of Communication (1951), two books that extend the principles of economic monopolies to the study of information ...
Subculture: The Meaning of Style is a 1979 book by Dick Hebdige, focusing on Britain's postwar youth subculture styles as symbolic forms of resistance. [1] Drawing from Marxist theorists, literary critics, French structuralists, and American sociologists, Hebdige presents a model for analyzing youth subcultures . [ 2 ]