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The drum break lasts seven seconds and was performed by Gregory Coleman. With the rise of hip-hop in the 1980s, the Amen break was used in hits including "Straight Outta Compton" by N.W.A and "Keep It Going Now" by Rob Base & DJ E-Z Rock. In the 1990s, it became a staple of drum and bass and jungle music. It has been used in thousands of tracks ...
The track has a tempo of 120 BPM. [3] Andrew Rafter wrote to DJ Mag that "Ghost Voices" "[combines] low-slung deep house basslines with trance-y top lines", [4] while Kat Bein of Billboard said it is "a slick, sexy house tune bringing soulful, halftime garage vibes", that has "a shine like dark velvet with fat bass synths and echoes of trance."
Jefferson had recently taken over A&R at Trax Records following Vince Lawrence's departure, [10] and agreed to mix the track, suggesting them to slow it from the original c. 130 beats per minute to about 120 bpm. [5] Although the group initially resisted, Jefferson reassured then that if a DJ wanted to play it faster, they could speed up the ...
Loopmasters started releasing sample CDs in 2003, launching over 30 compilations of individual hits, loops and MIDI files. In 2006, due to frustration with third party distributors, Loopmasters began investment in their own digital distribution portal and in 2007 the first iteration of the Loopmasters website was released.
Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns – common to acid house/techno.The term has been used by the British music industry to describe music by artists such as The Prodigy, the Chemical Brothers, Fatboy Slim, the Crystal Method, Propellerheads, Basement Jaxx and Groove Armada.
A 240 bpm track, for example, matches the beat of a 120 bpm track without slowing down or speeding up, because both have an underlying tempo of 120 quarter notes per minute. Thus, some soul music (around 75–90 bpm) mixes well with a drum and bass beat (from 150 to 185 bpm).
The session for "Can't Get You Out of My Head" began with Davis generating a 125 bpm drum loop using the computer program Cubase. Dennis improvised with the line "I just can't get you out of my head", which later became the song's lyric. [1]
While "Females" was a minor hit in the UK, the break did not receive major airplay and attention until the following year, when it was used as the backing loop for the 1988 song "It Takes Two" by MC Rob Base & DJ E-Z Rock. [5] The song, which is almost entirely composed of sampled parts from "Think (About It)", became a platinum-selling hit. [1]
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