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The Triggerman beat, also known as Triggaman, is a one-bar drum loop that originated from sampling "Drag Rap" by the Showboys and "Brown Beats" by Cameron Paul.The one-bar drum loop and bells was known to be used in bounce music, having been used in hundreds of records.
The drum break lasts seven seconds and was performed by Gregory Coleman. With the rise of hip-hop in the 1980s, the Amen break was used in hits including "Straight Outta Compton" by N.W.A and "Keep It Going Now" by Rob Base & DJ E-Z Rock. In the 1990s, it became a staple of drum and bass and jungle music. It has been used in thousands of tracks ...
While "Females" was a minor hit in the UK, the break did not receive major airplay and attention until the following year, when it was used as the backing loop for the 1988 song "It Takes Two" by MC Rob Base & DJ E-Z Rock. [5] The song, which is almost entirely composed of sampled parts from "Think (About It)", became a platinum-selling hit. [1]
In music, a loop is a repeating section of sound material. Short sections can be repeated to create ostinato patterns. Longer sections can also be repeated: for example, a player might loop what they play on an entire verse of a song in order to then play along with it, accompanying themselves.
A house rhythm played on a Roland TR-909 drum machine, featuring a four-on-the-floor bass drum plus cymbal, claps, hi-hats and rimshots. In its most typical form, the genre is characterized by repetitive 4/4 rhythms including bass drums, off-beat hi-hats, snare drums, claps, and/or snaps at a tempo of between 120 and 130 beats per minute (bpm); synthesizer riffs; deep basslines; and often, but ...
Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns – common to acid house/techno.The term has been used by the British music industry to describe music by artists such as The Prodigy, the Chemical Brothers, Fatboy Slim, the Crystal Method, Propellerheads, Basement Jaxx and Groove Armada.
The music is composed of looped, edited and processed breakbeat samples, intense bassline sounds, melodic piano lines, staccato synthesizer riffs, and various vocal samples (mostly taken from old house records). The speed of this genre typically fell between the range of 145–155 bpm, while the speed may variate on live sets.
The term "boom bap" is an onomatopoeia that represents the sounds used for the bass (kick) drum and snare drum, respectively. The style is usually recognized by a main drum loop that uses a hard-hitting, acoustic bass drum sample on the downbeats , a snappy acoustic snare drum sample on the upbeats , and an "in your face" audio mix emphasizing ...
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