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Radio stations pay fees to licensing bodies for nonexclusive rights to broadcast music. Radio stations and businesses typically pay a flat rate once a year, called a blanket license, which can vary based on the size of the audience, value of the advertising revenues, and amount and nature of music usage. As part of the license contract a radio ...
Darrell Issa, Chairman of the House Judiciary Subcommittee on Courts, Intellectual Property, and the Internet represents California’s 48th Congressional District. Later today on the Nashville ...
Both the recorded music sector and music publishing sector have their foundations in intellectual property law and all of the major recording labels and major music publishers and many independent record labels and publishers have dedicated "business and legal affairs" departments with in-house lawyers whose role is not only to secure ...
related rights, for example the rights of performers and producers in recorded music when used in broadcasts [2] Different creative sectors often use their sector-specific terms, including: [7] Performing rights organizations (PROs), for management of rights in musical works; Music licensing companies (MLCs), for phonogram producers’ rights
After a century of foot-dragging, newspaper publishers are suddenly aflame with the desire to innovate, giving serious consideration to just about every alternative business model that offers a ...
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A music synchronization license, or "sync" for short, is a music license granted by the holder of the copyright of a particular composition, allowing the licensee to synchronize ("sync") their music with various forms of media output (film, television shows, advertisements, video games, accompanying website music, movie trailers, etc.). [1]
Streaming has begun to attract new sources of capital and new financial players with very different views of how value can be derived from music, movies and TV programs. Rather than sales of CDs ...
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