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"Nokor Reach" originated from a folk poetry usually performed with chapei in ancient era for storytelling and to disclose any recent events. [2] [3]The music of "Nokor Reach" was composed between 1938 and 1939 by Prince Norodom Suramarit during the reign of King Sisowath Monivong with help of J. Jekyll and François Perruchot, [1] [4] the Royal Palace's musical instructors.
Sinn Sisamouth [a] (c. 1932 – c. 1976) was a Cambodian singer-songwriter active from the 1950s to the 1970s. Widely considered the "King of Khmer Music", Sisamouth, along with Ros Serey Sothea, Pen Ran, Mao Sareth, and other Cambodian artists, was part of a thriving pop music scene in Phnom Penh that blended elements of Khmer traditional music with the sounds of rhythm and blues and rock and ...
Yab Moung Records and Show Box actively encouraged the production of original music and was the artistic home of many original alternative musicians. Show Box only hosted original performances from both Khmer and international musicians and acted as a community hub for innovative ideas. [16] [17]
Ros Serey Sothea. In Phnom Penh, she adopted the alias Ros Serey Sothea and became a singer for the National Radio service, first performing duets with Im Song Soeum.Her first hit, "Stung Khieu (Blue River)" appeared in 1967 and she quickly became popular across Cambodia, particularly for her high and clear voice. [3]
After Vietnam militarily intervened and forced the Khmer Rouge out of most of Cambodia, the People's Republic of Kampuchea was established and used a new anthem. However, the Coalition Government of Democratic Kampuchea continued to use "Dap Prampi Mesa Moha Chokchey" as its state anthem in exile.
The music of "Oh, Phnom Penh!" was composed by Catholic Khmer composer Mum Bunnaray, who was working at the national radio station in Phnom Penh. The latter asked his sister Mum Sokha to sing in the single. The song was recorded on January 3, 1979, in Kratie province and first broadcast on January 7, 1979. [3]
In recent years the song has been re-issued by a large number of modern performers. The original recording however is difficult to find nowadays as for many recordings of Sinn Sisamouth, whose records were often destroyed by the Khmer Rouges, critical of his Western influences and support for the Khmer Republic. [3]
This page was last edited on 12 September 2024, at 10:22 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
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