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The Spoliarium is a painting by Filipino painter Juan Luna. Luna, working on canvas , spent eight months completing the painting which depicts dying gladiators. The painting was submitted by Luna to the Exposición Nacional de Bellas Artes in 1884 in Madrid , where it garnered the first gold medal (out of three). [ 1 ]
An oil on canvas painting measuring 1.15 m × 1.57 m (45 in × 62 in), Las Virgenes Cristianas Expuestas al Populacho is a "landmark painting" depicting the persecution of Christians in Ancient Rome. [3]
The Legislative Building during the 1930s. The building was originally designed by the Bureau of Public Works (precursor of the Department of Public Works and Highways) Consulting Architect Ralph Harrington Doane [4] and Antonio Toledo in 1918, and was intended to be the future home of the National Library of the Philippines, according to the Plan of Manila of Daniel H. Burnham. [5]
Maria de la Paz Pardo de Tavera y Gorricho [Note 1] (died 3 [1] or 6 [2] October 1892) was a Philippine mestiza and wife of Filipino painter Juan Luna.Though born in the Philippines, she and her family moved to Paris some time after her father Félix's death in 1864. [3]
Antipolo by Fernando Amorsolo, depicting Filipinos celebrating the annual pilgrimage to Antipolo, with the pre-War cathedral depicted in the background.. After graduating from the University of the Philippines, Amorsolo worked as a draftsman for the Bureau of Public Works as a chief artist at the Pacific Commercial Company and as a part-time instructor at the University of the Philippines. [7]
The cave complex has an approximate area of 138 hectares, composed of 218 caves, 38 of which were used as habitation and burial sites in the past. Tabon Cave, one of the caves in the complex, yielded the earliest human remains found in the Philippines. [9] NMP Declaration No. 1-2011 [9] 2011 [9] Dewil valley Palawan: Neolithic to Protohistoric
España y Filipinas (“Spain and the Philippines") is a series of oil on wood paintings [1] [2] by Filipino painter, Ilustrado, and revolutionary activist, Juan Luna.It is an allegorical depiction [3] of two women together, one a representation of Spain and the other of the Philippines. [4]
Las Damas Romanas is one of the early works of Luna as a painter that resurfaced in the past quarter of a century after being presumed to be either lost or missing. [5] [6] Before its reappearance in Paris many years before 2008, it had been documented only as a title and as a listed work of Luna in the 1957 biography of Luna written by Carlos E. Da Silva.