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"Leave (Get Out)" was released as JoJo's debut single on February 24, 2004, through Blackground Records, via digital download and physical single. The single released in the United States included the song and a b-side, "Not That Kinda Girl". [ 1 ]
JoJo's gold-certified debut single "Leave (Get Out)" was released in 2004. [25] Following the single's release, JoJo embarked on her first tour, the Cingular Buddy Bash with pop rock singer Fefe Dobson , hip hop duo Young Gunz , rap rock band Zebrahead , and teen pop stars Ryan Cabrera and Busted .
For a long time, Joanna “JoJo” Levesque resented “Leave (Get Out),” her best-known, breakout track released in 2004 when she was just 13.
Its theme about an unsuccessful relationship drew comparisons to JoJo's 2004 debut single, "Leave (Get Out)". Alexander began writing the song on his own before being joined by Steinberg and Cunningham to complete it. Although Cunningham always envisioned the song being recorded by JoJo, the songwriters had considered offering "Too Little Too ...
The word's use in song lyrics dates to at least 2004, featuring in JoJo’s hit "Leave (Get Out)". In 2014, Pharrell Williams used it in the title of his single "Come Get It Bae". [6] [10] Chris Kelly of Fact wrote sarcastically that "nothing says timeless like a song with 'bae' in the title."
JoJo co-wrote three out of the seventeen original tracks on the album. The album also includes a cover of R&B group SWV's 1993 song "Weak". The album was preceded by the release of JoJo's debut single, "Leave (Get Out)", which was a worldwide commercial success.
The video shows clips of JoJo sitting in a room filled with old vinyl records, sitting on a staircase, and singing on a Los Angeles rooftop at sunset. There are also scenes of her in an apartment in a green dress; special effects allow JoJo to be seen multiple times in the same shot. There is also a storyline involving a young couple on a date.
"Mean Girls" and "The Garfield Movie" grossed upward of $100 million and $200 million, respectively, according to Box Office Mojo, suggesting that audiences are willing to buy the nostalgia they ...