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The first and still only critical edition of Reportatio B was in 1891 by the Fathers of the College of St. Bonaventure in Quaracchi in Volume V of the Opera omnia'submitted. It refers to the text of the manuscript M and the Strasbourg pressure because of their low quality and also because of their strong Reportatio A textual differences do not ...
His works, as arranged in the most recent Critical Edition by the Quaracchi Fathers (Collegio S. Bonaventura), consist of a Commentary on the Sentences of Lombard, in four volumes, and eight other volumes, including a Commentary on the Gospel of St Luke and a number of smaller works; the most famous of which are The Mind's Road to God ...
Works published at Quaracchi, and edited by the friars there, besides the Opera Omnia of St. Bonaventure, included the Analecta Franciscana, edited in greatest part by Quinctianus Muller (d. 1902), which contain a collection of chronicles relating to the early history of the Franciscan order.
The work of the Four Masters has had the same effect on subsequent private expositions as the Bull "Quo elongati" had on all following pontifical declarations. The most prolific writer on the Rule of St. Francis was St. Bonaventure, who was compelled to answer fierce adversaries, such as Guillaume de Saint-Amour and others.
The work's precise date of composition, and its author, has occasioned much debate. [1] Until the late nineteenth century, it was traditionally ascribed to Bonaventure.Once it was realised that the work was not by him, the ascription was changed to pseudo-Bonaventure, and was judged to be of unknown Franciscan authorship.
The Death of St. Bonaventure (The Body of St. Bonaventure in the Presence of Pope Gregory X and James I of Aragon), 1629–1630, Louvre Museum, Paris The Young Virgin , 1630, Metropolitan Museum of Art , New York
Displaying the Body of Saint Bonaventure (French: Exposition du corps de saint Bonaventure) is a 1629 oil painting on canvas by the Spanish painter Francisco de Zurbarán, now in the Louvre. Around the body of Saint Bonaventure are figures including James I of Aragon and Pope Gregory X , shown in conversation.
The Monk cites St. Bonaventure and Albert the Great (d. 1280) and draws largely on the works of Conrad of Brundelsheim (Soccus), Abbot of Heilsbronn in 1303 (d. 1321). His mystical conceptions show a close relation to Bernard of Clairvaux and Hugo of St. Victor .