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Brunelleschi's Dome marked King's transition from novelist to writer of art histories and biographies. [1] Brunelleschi's Dome was on the bestseller lists of the New York Times, the Boston Globe and the San Francisco Chronicle, and was the recipient of several awards including the 2000 Book Sense Nonfiction Book of the Year.
The Santa Maria del Fiore cathedral in Florence possesses the largest brick dome in the world, [2] [3] and is considered a masterpiece of European architecture.. Filippo di ser Brunellesco di Lippo Lapi (1377 – 15 April 1446), commonly known as Filippo Brunelleschi (/ ˌ b r uː n ə ˈ l ɛ s k i / BROO-nə-LESK-ee; Italian: [fiˈlippo brunelˈleski]) and also nicknamed Pippo by Leon ...
Nuper rosarum flores ("Recently Flowers of Roses/The Rose Blossoms Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436 consecration of the Florence Cathedral, on the occasion of the completion of the dome built under the instructions of Filippo Brunelleschi. Technically, the dome itself was not finished until five months ...
The book is the result of forty years of research on the secret technique with which Brunelleschi built the Dome of Santa Maria del Fiore in Florence. Ricci makes the case for the dome being an inverted arch and uses a herringbone pattern ( spina a pesce ) for the dome's bricks.
Brunelleschi's dome, designed in 1418, follows the height and form mandated in 1367. [240] [246] The dome can be described as a cloister vault, with the eight ribs at the angles concentrating weight on the supporting piers. [241] The dome is 42 meters wide and made of two shells. [243] A stairway winds between them.
The Dome was designed by Filippo Brunelleschi. Giotto's Bell Tower: Standing adjacent the Basilica of Santa Maria del Fiore and the Baptistery of St. John, the tower is one of the showpieces of the Florentine Gothic architecture with its design by Giotto, its rich sculptural decorations and the poly-chrome marble encrustations.
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In a 2003 book review by Kirkus Reviews called the book "A legend-busting, richly detailed account of the four-year making of the Sistine Chapel frescos." [3] Michael McNay, in his review for The Guardian, called the book, "a good read" and praised King's "feel for daily life and an enthusiasm for the basics", but rejects King's view as improbable that Pope Julius allowed Michelangelo ...