Search results
Results from the WOW.Com Content Network
Colour is the keyboard. The eye is the hammer, while the soul is a piano of many strings. The artist is the hand through which the medium of the corresponding keys causes the human soul to vibrate. It is, thus, evident that colour harmony can rest only on the principle of the corresponding touch to the human soul. [114] [note 23]
Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. [1] In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization.
Philosophy of music is the study of "fundamental questions about the nature and value of music and our experience of it". [1] The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics .
Color vision became an important part of contemporary analytic philosophy due to the claim by scientists like Leo Hurvich that the physical and neurological aspects of color vision had become completely understood by empirical psychologists in the 1980s. An important work on the subject was C. L. Hardin's 'Color for Philosophers,' which ...
Light spectrum, from Theory of Colours – Goethe observed that colour arises at the edges, and the spectrum occurs where these coloured edges overlap.. Theory of Colours (German: Zur Farbenlehre) is a book by Johann Wolfgang von Goethe about the poet's views on the nature of colours and how they are perceived by humans.
Someone who agrees with Goethe believes that Goethe correctly recognized the nature of colour. And nature here is not what results from experiments, but it lies in the concept of colour. [4] Wittgenstein was interested in the fact that some propositions about colour are apparently neither empirical nor, exactly, a priori, but something in ...
Color theory dates back at least as far as Aristotle's treatise On Colors. A formalization of "color theory" began in the 18th century, initially within a partisan controversy over Isaac Newton's theory of color (Opticks, 1704) and the nature of primary colors. By the end of the 19th century, a schism had formed between traditional color theory ...
Environmental themes in music have ranged from an appreciation of nature and wilderness and advocating for its protection, to environmental degradation, pollution and climate change. The earliest popular music exploring environmentalist topics can be traced back to the 19th century and early folk, gospel and blues music.