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"St. James Infirmary" on tenor sax "St. James Infirmary" is an American blues and jazz standard that emerged, like many others, from folk traditions. Louis Armstrong brought the song to lasting fame through his 1928 recording, on which Don Redman is named as composer; later releases credit "Joe Primrose", a pseudonym used by musician manager, music promoter and publisher Irving Mills. [1]
Download as PDF; Printable version; ... Pages in category "Songs with lyrics by Irving Mills" ... St. James Infirmary Blues;
McTell in 1940 "Blind Willie McTell" is a song written and performed by American singer-songwriter Bob Dylan.Named for the blues singer of the same name, the song was recorded in the spring of 1983, during the sessions for Dylan's album Infidels; however, it was ultimately left off the album and did not receive an official release until 1991, when it appeared on The Bootleg Series Volumes 1 ...
Like in "St. James Infirmary Blues", Williams wants "six crapshooters to be my pallbearers". Lyrical similarities signify that the song shares "The Unfortunate Rake" with "St. James Infirmary Blues" as a common ancestor. A later song that draws on elements from the ballad is the Eric Bogle song "No Man's Land".
The lyrics appear to be primarily descended from an Irish folk song of the late 18th century called "The Unfortunate Rake", [6] which also evolved (with a time signature change and completely different melody) into the New Orleans standard "St. James Infirmary Blues". The Irish ballad shares a melody with the British sea-song "Spanish Ladies".
Dylan song Original tune Notes and links "Ballad in Plain D" "My Last Farewell to Stirling" [1]"Ballad of Hollis Brown" "Pretty Polly" [2]"Blind Willie McTell" "St. James Infirmary Blues"
In the 1940s and 50s, English journalist, folk enthusiast and recording artist A L Lloyd published an article believed to be the first to link The Unfortunate Lad/Rake with the blues song St James' Infirmary. [21] Some years later he published a revised article putting forward broadly the same view. [22]
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
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