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Mathnawi (Arabic: مثنوي, mathnawī) or masnavi (Persian: مثنوی, mas̲navī) is a kind of poem written in rhyming couplets, or more specifically "a poem based on independent, internally rhyming lines". Most mathnawī poems follow a meter of eleven, or occasionally ten, syllables, but had no limit in their length. [1]
The poem is set against this historical background, although the poem itself and the anecdote attached to it are not found in the official history Records of the Three Kingdoms. Researchers do not consider the story to be historical and dispute Cao Zhi's alleged authorship of the poem.
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Non-fiction and religious works prevailed during this period although kagyin (ကာချင်း), a war poem by a monarch, was an early form of this genre in history. [ 3 ] As literature grew more liberal and secular, poetry became the most popular form of literature in Burma.
The resulting pieces are then rearranged into a new text, such as in poems by Tristan Tzara as described in his short text, TO MAKE A DADAIST POEM. [ 1 ] Fold-in is the technique of taking two sheets of linear text (with the same linespacing), folding each sheet in half vertically and combining with the other, then reading across the resulting ...
Tanka consist of five units (often treated as separate lines when romanized or translated) usually with the following pattern of on (often treated as, roughly, the number of syllables per unit or line):
A sestain is a six-line poem or repetitive unit of a poem of this format , comparable to quatrain (Ruba'i in Persian and Arabic) which is a four-line poem or a unit of a poem. There are many types of sestain with different rhyme schemes , for example AABBCC, ABABCC, AABCCB or AAABAB. [ 1 ]
"Constantinople", a 'ferro-concrete poem' from Tango with Cows by the Russian Futurist Vasily Kamensky, 1914. Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. [1]