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The binder is a combination of silica sol and water glass. The organic fraction is limited to 5 mass percent similar to dispersion silicate paint allowing for chemical setting and retaining of the silicate specific advantages. The sol silicate paint allows use on non-mineral plaster. [4] For these the bonding occurs chemically and physically.
Fresh exterior paint protects your house and boosts its value—but it's a big investment. Learn what exterior painting costs and why it's so expensive.
Cement render or cement plaster is the application of a mortar mix of sand and cement, (optionally lime) and water to brick, concrete, stone, or mud brick. It is often textured, colored, or painted after application. It is generally used on exterior walls but can be used to feature an interior wall. [1]
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Reaction probabilities of clay plaster are due to its major component, kaolinite. Kaolinite is a hydrous aluminosilicate mineral that comprises 50% of the clay plaster. Clay wall plaster can help to improve the indoor air quality, which is very important nowadays, because most of the people spend 90% of their lives indoors.
Fresco-secco (or a secco or fresco finto) is a wall painting technique where pigments mixed with an organic binder and/or lime are applied onto dry plaster. [1] The paints used can e.g. be casein paint, tempera, oil paint, silicate mineral paint. If the pigments are mixed with lime water or lime milk and applied to a dry plaster the technique ...
Magnesium oxide, more commonly called magnesia, is a mineral that when used as part of a cement mixture and cast into thin cement panels under proper curing procedures and practices can be used in residential and commercial building construction. Some versions are suitable for general building uses and for applications that require fire ...
Mineral painting or Keim's process, also known as stereochromy, is a mural or fresco painting technique that uses a water glass-based paint to maximize the lifetime of the finished work. The name "stereochromy" was first used in about 1825 by Johann Nepomuk von Fuchs and Schlotthaurer. [ 1 ]
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