Search results
Results from the WOW.Com Content Network
Less a full sketch and more a recurring bit, Jimmy will look directly into the camera and jets of fire of will emanate from his eyeballs. Sometimes, he will instead shoot laser beams. Less frequently, gobs of cooked spaghetti will come out. Jimmy will also have Steve Higgins, Questlove, and his celebrity guests play along with the gag as well.
Each read their lines in a distinctly monotone fashion, in humorous contrast to the enthusiastic nature of the original interview (which often includes Winfrey utterances such as "Woo hoo!" and "You go, girl!" to Letterman's amusement). During the reading, Sheehan sports a cigarette consisting mostly of ash which rarely breaks off. On some ...
The current process, termed "digital ink and paint", is the same as traditional ink and paint until after the animation drawings are completed; [8] instead of being transferred to cels, the animators' drawings are either scanned into a computer or drawn directly onto a computer monitor via graphics tablets, where they are colored and processed ...
The sketch typically begins and ends with Colbert complaining about the title. (The sketch has had numerous titles, including Stephen Takes Your Kids, Stephen's Re-Education Camp, Stephen Colbert Is Watching Your Children, Stephen Doesn't Care About Your Kids, Stephen Colbert Is Short And Punchy. and Stephen Colbert Talks Down to Children.)
Throughout the sketch McCann becomes increasingly frustrating to O'Brien, who wanders off his set and shows up on McCann's screen and knocks him unconscious with a breakaway chair. The camera angle shifts to show the green screen was right next to Conan's set.
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
Discover the latest breaking news in the U.S. and around the world — politics, weather, entertainment, lifestyle, finance, sports and much more.
"Thinking About You" is the fifth single by American singer Whitney Houston. It was written by Kashif Saleem and La Forrest "La La" Cope for Houston's debut studio album Whitney Houston (1985), while production was helmed by the former, released in October 1985. [2]