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Shōji Ueda (植田 正治, Ueda Shōji, 27 March 1913 – 4 July 2000) was a Japanese photographer from Tottori, best known for his distinctive, dreamlike black-and-white images with staged figures, taken on the Tottori sand dunes. The term Ueda-chō (Ueda-tone) has been used to refer to his cool and mysterious atmospheric style.
In 1922, Japan Photographic Art Association (Nihon Kōga Geijutsu Kyōkai, 日本光画芸術協会) was founded by Hakuyō Fuchikami (1889–1960, 淵上白陽) and the first issue of Hakuyō (白陽) was published. In 1922, the first issue of Geijutsu Shashin Kenkyū (Art Photography Studies, 芸術写真研究) was published.
Miwa Yanagi (やなぎみわ, Yanagi Miwa) is a Japanese photographic artist who examines self-image and stereotypes of women in contemporary Japanese society. Yanagi was discovered by conceptual photographer Yasumasa Morimura, who noticed some of her work while borrowing her house as a set for a separate project.
Printable version; In other projects ... Media in category "Images of Japan" ... Google Art Project.jpg 4,341 × 5,394; 4.96 MB
Daidō Moriyama (Japanese: 森山 大道, Hepburn: Moriyama Daidō [1], born October 10, 1938) is a Japanese photographer best known for his black-and-white street photography and association with the avant-garde photography magazine Provoke.
The Tokyo Photographic Art Museum (東京都写真美術館, Tōkyō-to Shashin Bijutsukan) is an art museum concentrating on photography. As the Tokyo Metropolitan Museum of Photography, it was founded by the Tokyo Metropolitan Government, and is in Meguro-ku, a short walk from Ebisu station in southwest Tokyo. The museum also has a movie theater.
The Kiyosato Museum of Photographic Arts (清里フォトアートミュージアム, Kiyosato Foto-Āto Myūjiamu) is a gallery of photography in the Kiyosato region of the city of Hokuto, Yamanashi . The gallery was founded in 1995; Eikoh Hosoe has been its director since its opening.
Kawauchi sees her images as parts of series that allow the viewer to juxtapose images in the imagination, thereby making the photograph a work of art [11] and allowing a whole to emerge at the end. She likes working in photo books because they allow the viewer to engage intimately with her images. [ 6 ]