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Shōji Ueda (植田 正治, Ueda Shōji, 27 March 1913 – 4 July 2000) was a Japanese photographer from Tottori, best known for his distinctive, dreamlike black-and-white images with staged figures, taken on the Tottori sand dunes. The term Ueda-chō (Ueda-tone) has been used to refer to his cool and mysterious atmospheric style.
The composition of The Great Wave is a synthesis of traditional Japanese prints and use of graphical perspective developed in Europe, and earned him immediate success in Japan and later in Europe, where Hokusai's art inspired works by the Impressionists. Several museums throughout the world hold copies of The Great Wave, many of which came from ...
Images in books were almost always in monochrome (black ink only), and for a time art prints were likewise monochrome or done in only two or three colors. The text or image is first drawn onto thin washi (Japanese paper), called gampi, then glued face-down onto a plank of close-grained wood, usually a block of smooth cherry. Oil could be used ...
In 1922, Japan Photographic Art Association (Nihon Kōga Geijutsu Kyōkai, 日本光画芸術協会) was founded by Hakuyō Fuchikami (1889–1960, 淵上白陽) and the first issue of Hakuyō (白陽) was published. In 1922, the first issue of Geijutsu Shashin Kenkyū (Art Photography Studies, 芸術写真研究) was published.
Nishiki-e (錦絵, "brocade picture") is a type of Japanese multi-coloured woodblock printing; the technique is used primarily in ukiyo-e. It was invented in the 1760s, and perfected and popularized by the printmaker Suzuki Harunobu , who produced many nishiki-e prints between 1765 and his death five years later.
The Great Wave off Kanagawa, the best known print in the series (20th century reprint). Mount Fuji is in the center distance.. Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849).
Sakuichi Fukazawa's Baseball Game. Typical of the sōsaku hanga movement, there was much experimentation with colours and types of paper. The themes and subjects vary; some prints hark back to a bygone era such as Hiratuska's Shinobazu Pond in Snow and Fukazawa's Shiba Zōjō-ji Temple which is reminiscent of Hiroshige's work at the same location. [1]
The black-and-white pictures are all exactly the same size, bifurcated exactly in half by the horizon line. [17] The systematic nature of Sugimoto's project recalls the work Sunrise and Sunset at Praiano by Sol LeWitt , in which he photographed sunrises and sunsets over the Tyrrhenian Sea off Praiano , Italy, on the Amalfi Coast .
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