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A cassette deck is a type of tape machine for playing and recording audio cassettes that does not have a built-in power amplifier or speakers, and serves primarily as a transport. It can be a part of an automotive entertainment system, a part of a portable audio system or a part of a home component system .
U-Matic S tapes had a maximum recording time of 20 minutes, and large ones 1-hour, although some tape manufacturers such as 3M came out with 30-minute S-tapes and 75-minute large cassettes (and DuPont even managed 90-minute tapes) [13] by using a thinner tape. It was the U-Matic S-format decks that ushered in the beginning of ENG, or electronic ...
Elcaset recorder released by Sony under the WEGA brand. The cassette itself looks similar to a compact cassette, only larger—about twice the size. [4] Like the earlier RCA tape cartridge, it contained 1 ⁄ 4 inch (6.4 mm) tape running at 3 + 3 ⁄ 4 inches per second (9.5 cm/s), twice the width and twice the speed of a compact cassette, providing greater frequency response and dynamic range ...
A reel-to-reel tape recorder from Akai, c. 1978. An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage.
These Betamax decks looked like a regular Betamax model, except for a special 28-pin connector on the rear. If the user desired a Beta Hi-Fi model but lacked the funds at the time, he could purchase an "SL-HFRxx" and at a later date purchase the separate Hi-Fi Processor. Sony offered two outboard Beta Hi-Fi processors, the HFP-100 and HFP-200.
A reel-to-reel tape recorder (Sony TC-630), typical of a 1970s audiophile device. Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the supply reel (or feed reel) containing the tape is placed on a spindle or hub.
D-1 or 4:2:2 D-1 (1986) was a major feat in real time, broadcast quality digital video recording. It stores uncompressed digitized component video, encoded at Y'CbCr 4:2:2 using the CCIR 601 raster format with 8 bits, [1] [2] along with PCM audio tracks as well as timecode on a 3/4 inch (19 mm) videocassette tape (though not to be confused with the ubiquitous 3/4-inch U-Matic/U-Matic SP cassette).
[51] [42] By 1983, tape deck manufacturers stopped providing an option for recording Type III tapes. [23] Ferrichrome tape remained in the BASF and Sony lineups until 1984 [72] and 1988, [73] respectively. The use of ferrichrome tapes was complicated by the conflicting rationale of the playback of these tapes.
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