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The interiors were designed with an eye toward the modern age, space-saving, and ease of cleaning. All Lustrons had metal-paneled interior walls that were most often gray. To maximize space, all interior rooms and closets featured pocket doors. All models featured metal cabinetry, a service and storage area, and metal ceiling tiles.
The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house. The sideboard was most often the focal point, which attracts visitor’s eyes immediately when they go into a room or space, [ 1 ] of the dining room and very ...
As Virginia citizens emigrated west, Virginia stylists and furniture makers took their patterns and styles with them. [5] Not all the styles mimicked the British; emigrants like the German Johannes Spitler brought their native painting and folk decorative styles to the Shenandoah Valley. [6] Some companies from the early 19th century survived.
An e-book collection of over 1,000 books on home economics spanning 1850 to 1950, created by Cornell University's Mann Library. Includes several hundred works on the furniture and interior design in this period, itemized in a specific bibliography. American Furniture in The Metropolitan Museum of Art, a fully digitized 2 volume exhibition catalog
The decorative arts are arts or crafts whose aim is the design and manufacture of objects that are both beautiful and functional. This includes most of the objects for the interiors of buildings, as well as interior design , but typically excludes architecture .
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