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The title page of Twelfth Night from the 1623 First Folio The full title of the play is Twelfth Night, or What You Will . Subtitles for plays were fashionable in the Elizabethan era , and though some editors place The Merchant of Venice ' s alternative title, The Jew of Venice , as a subtitle, this is the only Shakespeare play to bear one when ...
Sir Andrew Aguecheek is a fictional character in William Shakespeare's play Twelfth Night, or What You Will. One of the supporting characters, Sir Andrew is a stereotypical fool, who is goaded into unwisely duelling with Cesario and who is slowly having his money pilfered by Sir Toby Belch. He is dim-witted, vain and clownish.
Twelfth Night (also known as Epiphany Eve depending upon the tradition) is a Christian festival on the last night of the Twelve Days of Christmas, marking the coming of the Epiphany. [1] Different traditions mark the date of Twelfth Night as either 5 January or 6 January , depending on whether the counting begins on Christmas Day or 26 December .
Sir Toby is an ambiguous mix of high spirits and low cunning. He first appears in the play's third scene, when he storms onto the stage the morning after a hard night out, complaining about the sombre melancholy that hangs over his niece's household.
Malvolio is a fictional character in William Shakespeare's comedy Twelfth Night, or What You Will. His name means "ill will" in Italian, referencing his disagreeable nature. [1] He is the vain, pompous, authoritarian steward of Olivia's household.
O Mistress Mine is an Elizabethan song which appears in Shakespeare's play Twelfth Night. It is sung by the character Feste, who is asked to sing a love song by Sir Andrew Aguecheek and Sir Toby Belch. The words of the song are addressed to the singer/poet's lover.
The house-visiting wassail, which traditionally occurs on the twelfth day of Christmastide known as Twelfth Night or Epiphany Eve (January 5), is the practice of people going door-to-door, singing and offering a drink from the wassail bowl in exchange for gifts; this practice still exists, but has largely been displaced by carol singing.
The Masque of Blackness was an early Jacobean era masque, first performed at the Stuart Court in the Banqueting Hall of Whitehall Palace on Twelfth Night, 6 January 1605. It was written by Ben Jonson at the request of Anne of Denmark, the queen consort of King James I, who wished the masquers to be disguised as Africans.