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A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
The Ōjōyōshū (往生要集, The Essentials of Rebirth in the Pure Land) was an influential medieval Buddhist text composed in 985 by the Japanese Buddhist monk Genshin. The text is a comprehensive analysis of Buddhist practices related to rebirth in the Pure Land of Amida Buddha, drawing upon earlier Buddhist texts from China, and sutras ...
In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely depends. [1] The redemptive value of the resurrection has been expressed through Christian art, as well as being expressed in theological writings.
In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism (among other religions), sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last form is often called a mandorla.
Most modern Christian churches continue to uphold the belief that there will be a final resurrection of the dead and world to come. Belief in the resurrection of the dead, and Jesus's role as judge, is codified in the Apostles' Creed, the fundamental creed of Christian baptismal faith [vague].
Religious art is a visual representation of religious ideologies and their relationship with humans. Sacred art directly relates to religious art in the sense that its purpose is for worship and religious practices.
Rembrandt is famous for his use of light and shadow (Chiaroscuro) and Jacob Blessing the Sons of Joseph is not an exception. [6] This draws attention to the main characters of Jacob, Joseph, Ephraim, Manasseh, and Asenath while obscuring the background. In particular, there seems to be a halo surrounding Ephraim as he is being blessed.
The use of religious images in general continued to increase up to the end of the 7th century, to the point that in 695, upon assuming the throne, Byzantine emperor Justinian II put an image of Christ on the obverse side of his gold coins, resulting in a rift which ended the use of Byzantine coin types in the Islamic world. [9]