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Paisley or paisley pattern is an ornamental textile design using the boteh (Persian: بته) or buta, a teardrop-shaped motif with a curved upper end. Of Persian origin, paisley designs became popular in the West in the 18th and 19th centuries, following imports of post- Mughal Empire versions of the design from India, especially in the form of ...
Margherita of Savoy-Genoa wears an outdoor walking costume consisting of a loose jacket and matching skirt. The skirt is drawn up for ease of walking over an ankle-length underskirt or petticoat and hoops. She wears a bowler-like hat wrapped in a scarf or veil. Latter half 1860s. Fashions of 1869 show a high waist and an elliptical skirt ...
The term was first used by the French couture designer Christian Dior as the label for his collection of spring 1955. [2] The A-Line collection's feature item, then the "most wanted silhouette in Paris", was a "fingertip-length flared jacket worn over a dress with a very full, pleated skirt".
Examples include the mini skirt, culottes, go-go boots, and more experimental fashions, less often seen on the street, such as curved PVC dresses and other PVC clothes. Mary Quant popularized the mini skirt, and Jackie Kennedy introduced the pillbox hat; [1] both became extremely popular. False eyelashes were worn by women throughout the 1960s.
The poodle skirt remains one of the most memorable symbols of the 1950s in the United States and is frequently worn as a novelty retro item, part of a nostalgic outfit. A similar design of these skirts became popular in the years 2009–2010. The skirts had been shortened but the newer designs retained the original waistband. Today, poodle ...
Panniers or side hoops are women's undergarments worn in the 17th and 18th centuries to extend the width of the skirts at the side while leaving the front and back relatively flat. This provided a panel where woven patterns, elaborate decorations and rich embroidery could be displayed and fully appreciated.
The skirt of the devantiere was split up the back to enable astride riding. [2] By the early 19th century, in addition to describing the whole costume, a devantiere could describe any part of the riding habit, be it the skirt, [2] the apron, [3] or the riding coat. [4] In his diary for June 12, 1666, Samuel Pepys wrote:
Tapis across various cultures in the Philippines may generally refer to a single, rectangular piece of cloth one wraps around oneself as clothing, but is also the term for a colorful, hand-woven wraparound skirt common in the pre-colonial period, and which is still used today as part of the María Clara gown and by culturally conservative tribes.
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