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The term blues scale refers to several different scales with differing numbers of pitches and related characteristics. A blues scale is often formed by the addition of an out-of-key "blue note" to an existing scale, notably the flat fifth addition to the minor pentatonic scale. However, the heptatonic blues scale can be considered a major scale ...
Minor pentatonic scale on A. Play ⓘ 1 ♭ 3 4 5 ... Bebop scale; Chord-scale system; Heptatonic scale; Jazz scale; List of chord progressions; List of chords;
A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations [ 2 ] and are still used in various musical styles to this day.
A regular piano cannot play blue notes, but with electric guitar, saxophone, trombone and trumpet, performers can "bend" notes a fraction of a tone sharp or flat to create blue notes. For instance, in the key of E, the blue note would be either a note between G and G ♯ or a note moving between both. In blues, a pentatonic scale is often used.
The blues scale is so named for its use of blue notes. Since blue notes are alternate inflections, strictly speaking there can be no one blues scale, [8] but the scale most commonly called "the blues scale" comprises the minor pentatonic scale and an additional flat 5th scale degree: C E ♭ F G ♭ G B ♭ C. [9] [10] [11]
In Western musical traditions, pentatonic scales—conventionally played on the black keys—are built entirely from intervals larger than a semitone. Commentators thus tend to identify diatonic and pentatonic stacks as "tone clusters" only when they consist of four or more successive notes in the scale. [1]
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The blue notes are usually said to be the lowered third, lowered fifth, and lowered seventh scale degrees. [ 1 ] [ 2 ] [ 3 ] The lowered fifth is also known as the raised fourth. [ 4 ] Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting in a distinctively dissonant conflict of ...
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