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The Aphrodite Rhithymnia (Ancient Greek: Ἀφροδίτη Ῥιθυμνία, romanized: Aphrodítē Rhithumnía, lit. 'Aphrodite of Rhithymna'), also known as Aphrodite of Lappa ( Greek : Αφροδίτη της Λάππας ), is a Roman statue of the first century AD found at the site of ancient Lappa , in modern-day Argyroupoli , western ...
After this point, Romans adopted Aphrodite's iconography and myths and applied them to Venus. [91] Because Aphrodite was the mother of the Trojan hero Aeneas in Greek mythology [91] and Roman tradition claimed Aeneas as the founder of Rome, [91] Venus became venerated as Venus Genetrix, the mother of the entire Roman nation. [91]
Aphrodite, the subject of Sappho's poem. This marble sculpture is a Roman copy of Praxiteles's Aphrodite of Knidos. The poem is written in Aeolic Greek and set in Sapphic stanzas, a meter named after Sappho, in which three longer lines of the same length are followed by a fourth, shorter one. [15]
In one version of the story, Aphrodite injured herself on a thorn from a rose bush [41] and the rose, which had previously been white, was stained red by her blood. [41] In another version, an anemone flower grew on the spot where Adonis died, and a red rose where Aphrodite's tears fell. [51]
The Colonna Venus is a Roman marble copy of the lost Aphrodite of Cnidus sculpture by Praxiteles, conserved in the Museo Pio-Clementino as a part of the Vatican Museums' collections. It is now the best-known and perhaps most faithful Roman copy of Praxiteles's original.
The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. As such, she is usually depicted nude.
Her servant, fluent in Latin, got them past the Roman guards, and when the carpet was unrolled, Cleopatra emerged, cleverly catching Caesar by surprise. This dramatic entrance wasn’t just about ...
In Greek mythology, Peitho (Ancient Greek: Πειθώ, romanized: Peithō, lit. 'Persuasion' or 'winning eloquence' [1]) is the personification of persuasion. [2] She is typically presented as an important companion of Aphrodite.