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The special effects of the 1991 American science fiction action film Terminator 2: Judgment Day were developed by four core groups: Industrial Light & Magic (ILM), Stan Winston Studio, Fantasy II Film Effects, and 4-Ward Productions. Pacific Data Images and Video Images provided some additional effects.
Rear projection (background projection, process photography, etc.) is one of many in-camera effects cinematic techniques in film production for combining foreground performances with pre-filmed backgrounds. It was widely used for many years in driving scenes, or to show other forms of "distant" background motion.
Lightstorm Entertainment, Inc. [1] is an American independent film and television production company founded in 1990 by filmmaker James Cameron [2] [3] and producer Lawrence Kasanoff. It is headquarated in Santa Monica, California , and the majority of its films have been distributed and owned by 20th Century Fox (currently known as 20th ...
Terminator 2: Judgment Day [a] is a 1991 American science fiction action film directed by James Cameron, who co-wrote the script with William Wisher.Starring Arnold Schwarzenegger, Linda Hamilton, and Robert Patrick, it is the sequel to The Terminator (1984) and is the second installment in the Terminator franchise.
The Library of Congress announced the 25 features joining the National Film Registry for 2023, with titles including “12 Years a Slave,” “Home Alone,” “The Nightmare Before Christmas ...
The film was shot at the abandoned Eagle Mountain iron ore mine, just north of Desert Center in California. [24] [30] The cast and crew from the first two Terminator films returned for the shoot, including Arnold Schwarzenegger as The Terminator, Linda Hamilton as Sarah Connor, Robert Patrick as T-1000, and Edward Furlong as John Connor.
The company re-hired Terminator director James Cameron (who had worked as a screenwriter on Rambo II) and Arnold Schwarzenegger to star in a multi-million-dollar budgeted sequel, Terminator 2: Judgment Day (1991). Terminator 2 was the highest-grossing film of the year and the most successful film in Carolco's history. [27]
James Michael Muro, Jr. (born October 12, 1964) is an American cinematographer and director. He is known primarily for his Steadicam work. In the late 1980s and 1990s, he was James Cameron's Steadicam operator of choice, working on the Cameron-directed films The Abyss, Terminator 2: Judgment Day, True Lies, and Titanic.