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This category contains actual type faces that were made from wood for letterpress printing, as opposed to type that has been cast in metal, or fonts made available for Photocomposition or Digitally. Pages in category "Wood typefaces"
Cloister is a serif typeface that was designed by Morris Fuller Benton and published by American Type Founders from around 1913. [1] [2] It is loosely based on the printing of Nicolas Jenson in Venice in the 1470s, in what is now called the "old style" of serif fonts. [3]
The market for wood type was apparently limited and most businesses had side-lines as dealers in other printers' equipment, or making other wooden goods. [57] One of the larger firms until the 1880s was the company of William H. Page, near Norwich, Connecticut. Wood type competed with lithography and stencils in the market for display typography.
The "Included from" column indicates the first edition of Windows in which the font was ... Light, Semilight ... Bold, Bold Italic, Black, Black Italic: Latin, Greek ...
Klavika is a family of sans-serif fonts designed by Eric Olson and released by Process Type Foundry in 2004. It contains four weights: light, regular, medium, and bold (with corresponding italics) and variations of numerals. [1] The family of typefaces is described as straight-sided technical sans-serifs [2] flexible for editorial and identity ...
Skia: Light, Light Condensed, Light Extended, Condensed, Extended, Bold, Black, Black Condensed, Black Extended (Matthew Carter; system previously only included regular) Sukhumvit Set: Thin, Light, Text, Medium, SemiBold, Bold (Anuthin Wongsunkakon; previously used as a system font for iOS 7.0 [1]) Bitstream Symbols; Trattatello (James Grieshaber)
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Blippo was designed by Joe Taylor for Fotostar in 1969 as a black version of Burko Bold, which, in turn, is based on the unfinished design by the German Bauhaus school. The font was named Blippo Black by Taylor's boss, Robert Trogman. [8] It retains proportion and fit of ITC Ronda.
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