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Pseudo-Chrysostom: Lest perchance anyone considering how great is the difference between God and man, and weighing his own sins should despair of obtaining, and so never take in hand to ask; therefore He proposes a comparison of the relation between father and son; that should we despair because of our sins, we may hope because of God's ...
Man Proposes, God Disposes is an 1864 oil-on-canvas painting by the English artist Sir Edwin Landseer.The work was inspired by the search for Franklin's lost expedition which disappeared in the Arctic after 1845.
Mantegna's variant includes some aspects commonly associated with the scene, including the presence of Mary and John as mourners and the presentation of the body on the Stone of Unction. The painting shows the nail wounds in Christ's feet and hands and, though less pronounced, the spear wound on his side.
The lyrics often looked at life as a necessary and God-given vale of tears with death as a ransom, and they reminded people to lead sinless lives to stand a chance at Judgment Day. The following two Latin stanzas (with their English translations) are typical of memento mori in medieval music; they are from the virelai Ad Mortem Festinamus of ...
In Early Netherlandish painting of the 15th century the three crosses often appear in the background of the painting, a short distance from the scene. Gerard David - Lamentation Lamentations did not appear in art north of the Alps until the 14th century, but then became very popular there, and Northern versions further developed the centrality ...
Over a hilly background with a lake and a fortified city, is the scene of the Lamentation, which occupies the foreground of lower half of the painting. The body of Jesus is at the center, lying over a white shroud and held by one of the Pious Women, by Nicodemus and by Joseph of Arimathea. The latter dons a richly decorated hat with flowers.
The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man, [2]: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3] It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the ...
Here, the dead God's fallen arm and immaculate shroud touch stone; the grieving Mary of Cleophas gesticulates to Heaven. In some ways, that was the message of Christ: God come to earth, and mankind reconciled with the heavens. As usual, even with his works of highest devotion, Caravaggio never fails to ground himself.