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God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
Stained glass window at Christ Church Cathedral in Dublin, depicting the Fruit of the Holy Spirit along with Biblical role models representing them: the Good Shepherd representing love, an angel holding a scroll with the Gloria in excelsis Deo representing joy and Jesus Christ, Job representing longsuffering, Jonathan faith, Ruth gentleness and goodness, Moses meekness, and John the Baptist ...
Although it would appear from these verses that John the Baptist was uncertain about Jesus being the Messiah, the traditional understanding from many church fathers, as seen in the next section, is that John merely sent his disciples to Christ so that "they might learn from Himself that He was the very Messiah, or Christ, that when John was dead they might go to Him."
The Son has espoused the Church in faith and charity, according to the expression of the Prophet, "I will espouse thee to Me in faith, and thou shalt know that I am the Lord." (Hos 2:20.) This same Lord espouses the souls of all the faithful, not those of the noble and the great only, but those of every one who will not reject Him.
Love is a key attribute of God in Christianity. 1 John 4:8 and 16 state that "God is love; and he who abides in love abides in God, and God abides in him." [13] [14] John 3:16 states: "God so loved the world..." [15] In the New Testament, God's love for humanity or the world is expressed in Greek as agape (ἀγάπη).
"The direct cautions and warnings (Matthew 24:42, Matthew 24:44; Matthew 25:13) must be for the disciples (his audience)—warnings to be watchful and to be ready for Christ's coming". The setting of the parable of the minas in Luke 19 was out in the open among the crowd. Zacchaeus had just believed and the Lord acknowledged his salvation.
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An 1880 Baxter process illustration of Revelation 22:17 by Joseph Martin Kronheim. The bride of Christ, or the lamb's wife, [1] is a metaphor used in number of related verses in the Christian Bible, specifically the New Testament – in the Gospels, the Book of Revelation, the Epistles, with related verses in the Old Testament.