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In August 2019 La Parka introduced "Karis La Momia Jr."; presented as a son who decided to follow in La Parka's footsteps and become a professional wrestler. [73] Shortly after his father's death, the son has become the third wrestler with the La Parka gimmick. La Parka's brother "Taboo," also a wrestler, died on September 11, 2020. [74]
In 1992 Antonio Peña founded a new wrestling promotion called Asistencia Asesoría y Administración (AAA), signing Tapia to a contract early on. Peña came up with the idea to repackage Tapia as "La Parka" (an altered spelling of La Parca, Spanish for "The Reaper"), a character who wore a full bodysuit and mask that resembled a skeleton like the ones used in Mexico's Day of the Dead ceremonies.
Lizmark, La Parka, Octagón and Super Caló vs. Abismo Negro, Cibernético and The Headhunters (Headhunter A and Headhunter B) [18] Triplemanía XII: June 20, 2004: El Toreo Naucalpan: La Parka vs. Cibernético - Lucha de Apuestas "Mask vs. Mask". [19] Triplemanía XIII: May 15, 2005: Plaza de Toros Guadalajara, Jalisco
At an AAA press conference on May 12, 2010 it was announced that the match between the two would be for the rights to the name "La Parka". [10] The two signed the official contract for the match during a television taping on May 19, 2010. After signing the contract Dorian Roldan had the police arrest La Parka for piracy by impersonating La Parka.
The Triplemanía show featured six professional wrestling matches with different wrestlers involved in pre-existing scripted feuds, plots and storylines.Wrestlers were portrayed as either heels (referred to as rudos in Mexico, those that portray the "bad guys") or faces (técnicos in Mexico, the "good guy" characters) as they followed a series of tension-building events, which culminated in a ...
The Triplemanía XVII show featured seventy professional wrestling matches with different wrestlers involved in pre-existing scripted feuds, plots and storylines.Wrestlers were portrayed as either heels (referred to as rudos in Mexico, those that portray the "bad guys") or faces (técnicos in Mexico, the "good guy" characters) as they followed a series of tension-building events, which ...
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