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In August 2019 La Parka introduced "Karis La Momia Jr."; presented as a son who decided to follow in La Parka's footsteps and become a professional wrestler. [73] Shortly after his father's death, the son has become the third wrestler with the La Parka gimmick. La Parka's brother "Taboo," also a wrestler, died on September 11, 2020. [74]
In 1992 Antonio Peña founded a new wrestling promotion called Asistencia Asesoría y Administración (AAA), signing Tapia to a contract early on. Peña came up with the idea to repackage Tapia as "La Parka" (an altered spelling of La Parca, Spanish for "The Reaper"), a character who wore a full bodysuit and mask that resembled a skeleton like the ones used in Mexico's Day of the Dead ceremonies.
The Triplemanía show featured six professional wrestling matches with different wrestlers involved in pre-existing scripted feuds, plots and storylines.Wrestlers were portrayed as either heels (referred to as rudos in Mexico, those that portray the "bad guys") or faces (técnicos in Mexico, the "good guy" characters) as they followed a series of tension-building events, which culminated in a ...
The Triplemanía XIX show featured eight professional wrestling matches with different wrestlers involved in pre-existing scripted feuds, plots and storylines.Wrestlers were portrayed as either heels (referred to as rudos in Mexico, those that portray the "bad guys") or faces (técnicos in Mexico, the "good guy" characters) as they followed a series of tension-building events, which culminated ...
The Triplemanía XIV show featured seven professional wrestling matches with different wrestlers involved in pre-existing scripted feuds, plots and storylines.Wrestlers were portrayed as either heels (referred to as rudos in Mexico, those that portray the "bad guys") or faces (técnicos in Mexico, the "good guy" characters) as they followed a series of tension-building events, which culminated ...
The Triplemanía XII show featured six professional wrestling matches with different wrestlers involved in pre-existing scripted feuds, plots and storylines.Wrestlers were portrayed as either heels (referred to as rudos in Mexico, those that portray the "bad guys") or faces (técnicos in Mexico, the "good guy" characters) as they followed a series of tension-building events, which culminated ...
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