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Face to face with the woman who is Tretchi's Chinese Girl" at Mail & Guardian "'Chinese Girl': The Mona Lisa of kitsch" at The Independent "'I never made money from the Green Lady,' says Tretchikoff's model" at The Guardian "Gaze of the Green Lady" at BBC News "I was the Chinese Girl in Tretchikoff's painting" BBC News.
It intended to raise awareness on female experiences, roles, subject matters, and most importantly, art practices through the perspective of women living in contemporary Chinese society. [8] In addition to providing a platform to showcase artworks made by Chinese women, it also exhibited photos and documents showing women's art production in China.
Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006).
Huadian (traditional Chinese: 花鈿; simplified Chinese: 花钿), also known as huazi (Chinese: 花子; lit. 'Little flower'), [1] mianhua (Chinese: 面花), meizi (Chinese: 媚子), [2] plum blossom makeup [3] or plum makeup [4] (Chinese: 梅花妝; pinyin: méihuāzhuāng or Chinese: 落梅妝; pinyin: luòméizhuāng) or Shouyang makeup [3] (Chinese: 壽陽妝), is a form of traditional ...
Female Chinese beauty standards have become a well-known feature of Chinese culture. A 2018 survey conducted by the Great British Academy of Aesthetic Medicine concluded that Chinese beauty culture prioritizes an oval face shape, pointed, narrow chin, plump lips, well defined Cupid's bows , and obtuse jaw angle. [ 1 ]
Vladimir Grigoryevich Tretchikoff (Владимир Григорьевич Третчиков, 26 December [O.S. 13 December] 1913, Petropavlovsk, Russian Empire, now Petropavl in Kazakhstan [1] – 26 August 2006, Cape Town, South Africa) was an artist whose painting Chinese Girl, popularly known as The Green Lady, is one of the best-selling art prints of the twentieth century.
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The primary medium of Nanyang Style is Chinese ink and colour, or oil on canvas. A simple use of colours and lines is similar to those of post-Impressionists, such as Vincent van Gogh. The art style reflects the universal culture of migrants, who in this case adapted to and accepted a new mix of Western, Chinese and Eastern beliefs and practices.