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Crucifixion sketch by St. John of the Cross, c. 1550, which inspired Dalí. The painting is known as the Christ of Saint John of the Cross, because its design is based on a drawing by the 16th-century Spanish friar John of the Cross. [1]
Christ Carrying the Cross (also referred to as Christ Bearing the Cross) is a painting attributed to a follower of Hieronymus Bosch. It was painted in the early 16th century, presumably between 1510 and 1535. The work is housed in the Museum of Fine Arts in Ghent, Belgium. Various aspects of the painting have been a source of scholarly debate. [1]
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
The subject is Jesus Christ on the cross, flanked by the two thieves who were crucified with him, and the Virgin Mary, mother of Jesus, weeping and supported by the Evangelist. Roman soldiers on horseback, along with grieving citizens, surround the crosses. A beam of light, representing God's light from heaven, pierces the darkened sky to ...
Christ on the Cross is a 1631 oil-on-canvas painting by Rembrandt, now in the Église Saint-Vincent in the French town of Le Mas-d'Agenais, Lot-et-Garonne. The inventory of Catharina Elisabeth Bode was made in Delft on 27 October 1703—she was the widow of Valerius Röver. It mentions "a piece of painterly invention [titled] Christ on the ...
Christ has both arms drawn a subtle curve, instead of forming a triangle. The loincloth is painted rather small, thus showing the nude body as much as possible. [1] The head shows a narrow halo, as if it came from the figure itself; the face is resting on the chest, showing just enough of his features. [1]
Christ on the Cross (1620) by Rubens. Christ on the Cross, Christ between the two murderers or Le Coup de Lance is a 1620 painting of the Crucifixion of Jesus by Peter Paul Rubens, originally intended for the Convent of the Friars Minor. [1] It is now in the Koninklijnk Museum voor Schone Kunsten in Antwerp.
Jesus himself is portrayed in a realistic fashion, with his body slumped and twisted rather unsettlingly as he is carried down the cross displaying the lifeless quality of his form. Jesus' physical body shape is very rounded, almost Rubenesque, raising the question of whether Rembrandt was influenced by Rubens' notably voluptuous figures. [2]
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