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A Japanese chimera with the features of the beasts from the Chinese Zodiac: a rat's head, rabbit ears, ox horns, a horse's mane, a rooster's comb, a sheep's beard, a dragon's neck, a back like that of a boar, a tiger's shoulders and belly, monkey arms, a dog's hindquarters, and a snake's tail.
Japanese myths are tied to the topography of the archipelago as well as agriculturally-based folk religion, and the Shinto pantheon holds uncountable kami ("god(s)" or "spirits"). [1] Two important sources for Japanese myths, as they are recognized today, are the Kojiki and the Nihon Shoki.
Kuebiko (久延毘古), the god of knowledge and agriculture, represented in Japanese mythology as a scarecrow who cannot walk but has comprehensive awareness. Kukunochi, believed to be the ancestor of trees. [22] Kukurihime no Kami (菊理媛神), a goddess enshrined at Shirayama Hime Shrine.
The most famous Shachihoko today is the kin shachi (golden dolphins) at Nagoya castle, which are plated in 18 karat gold, 0.15 millimetres thick. The male is 2.62 meters high, weighs 1,272 kilograms, and has 112 scales, while the female is 2.58 meters high, weighs 1,215 kilograms, and has 126 scales. [ 7 ]
A representative sampling of Japanese folklore would definitely include the quintessential Momotarō (Peach Boy), and perhaps other folktales listed among the so-called "five great fairy tales" (五大昔話, Go-dai Mukashi banashi): [3] the battle between The Crab and the Monkey, Shita-kiri Suzume (Tongue-cut sparrow), Hanasaka Jiisan (Flower-blooming old man), and Kachi-kachi Yama.
Kuebiko (久延毘古) – A Shinto kami of local knowledge and agriculture, represented in Japanese mythology as a scarecrow, who cannot walk but has comprehensive self-awareness and omniscience. Kuji-in (九字印, lit. ' Nine Hand Seals ') – A system of mudras and associated mantras that consist of nine syllables. Kuji-kiri (九字切り, lit.
Japanese folklore encompasses the informally learned folk traditions of Japan and the Japanese people as expressed in its oral traditions, customs, and material culture. In Japanese, the term minkan denshō (民間伝承, "transmissions among the folk") is used to describe folklore. The academic study of folklore is known as minzokugaku ...
In ancient times, these gods were worshiped separately, but this rarely happens today – only when it is required for the god to act on behalf of the applicant. The Seven Gods of Fortune started being mentioned as a collective in the year 1420 in Fushimi, in order to imitate the processions of the daimyōs , the feudal lords of pre-modern Japan.