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Sound of the Underground is the debut studio album by English-Irish girl group Girls Aloud, formed through the ITV television series Popstars: The Rivals.It was released in Ireland on 23 May 2003, in the United Kingdom and Europe on 26 May 2003, and reissued on 17 November 2003 through Polydor.
"Sound of the Underground" is the debut single by British-Irish pop group Girls Aloud, and later featured on their debut album of the same title. The song was written by Miranda Cooper , Brian Higgins and Niara Scarlett , and produced by Higgins and his production team Xenomania .
Sound of the Underground may refer to: Sound of the Underground, the 2003 debut studio album by Girls Aloud "Sound of the Underground" (song), the title track and lead single from the aforementioned album; Sound of the Underground, 1994 Toronto house compilation by SPG Records "Sound of the Underground", a track by Dave Koz from the album ...
A musician who composes film soundtracks asked for something that could sound like a range of instruments, so Rosenkrantz made a nine-string baritone electro-acoustic guitar, which incorporated ...
Contemporary music critics praised "Some Kind of Miracle" as an album highlight. In a review of Sound of the Underground, BBC's Ian Youngs stated that "there are more gems to be found," describing "Some Kind of Miracle" as "lovely." [3] Jacqueline Hodges, also writing for BBC, praised "Some Kind of Miracle" as "superficial pop at its purest ...
"No Good Advice" is a song by British-Irish girl group Girls Aloud, taken from their debut album, Sound of the Underground (2003). The song was written by Aqua's Lene Nystrøm Rasted, Miranda Cooper, Brian Higgins and his production team Xenomania, and produced by Higgins and Xenomania. The song has themes of rebellion, reflecting Higgins ...
The roster includes a long-in-the-works authorized biopic on the enormously influential but unsung producer Tom Wilson, who produced Bob Dylan’s “Like a Rolling Stone,” Simon & Garfunkel’s ...
Peter was a sound artist. In the 1980s you had Ben Liebrand and Peter Slaghuis, who were the two master mixers, the absolute best. With Liebrand, a mix always had to sound very smooth and neat. With Peter you sometimes heard some noise or a piece of an old record at the end of a mix. Peter was looser and rawer in his sound, less polished.