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Chinese Buddhist 18-bead wooden mala A large mother bead containing an image of Shingon founder Kūkai flanked by mantras 108 bead Tulasi wood mala used in Vaishnavism "Bodhi seed" mala made using the polished seeds of the Ziziphus budhensis tree, known locally as Buddhacita, which are endemic to the Timal region of Kavreplanchok and at ...
Ziziphus budhensis has an edible fruit and the tree is also used as cattle fodder. The seeds are used as beads to make malas (rosaries), known as Bodhichitta malas, [2] Buddha chitta mala, or Bodhi seed malas, used in Tibetan Buddhist worship. These are highly valued with a mala of 108 beads costing up to 80 thousand Nepalese Rupees.
Ziziphus / ˈ z ɪ z ɪ f ə s / [3] is a genus of spiny shrubs and small trees in the buckthorn family, Rhamnaceae.It includes 68 species native to tropical and subtropical Africa, Eurasia, and Australia and tropical South America. [1]
Islamic prayer beads, called Misbaha or Tasbih, usually have 100 beads (99 +1 = 100 beads in total or 33 beads read thrice and +1). Buddhists and Hindus use the Japa Mala, which usually has 108 beads, or 27 which are counted four times. Baháʼí prayer beads consist of either 95 beads or 19 beads, which are strung with the addition of five ...
Two principal techniques are used to produce seed beads: the wound method and the drawn method. The wound method is the more-traditional technique, is more time-consuming, and is no longer used in modern bead production: in this technique, a chunk of glass known in glassmaking as a gather and composed mainly of silica is heated on an iron bar until molten.
Etched carnelian beads have been found from female Saka burials dated 8th-6th century BCE in Pamir, Tajikistan, all likely imported from India. [47] Etched carnelian beads, probably manufactured in Iran or Central Asia where found in the tomb of Saka tomb of Arzhan-2, suggesting trade exchanges with the south. [48]
The beads, also described as "jewels", were made of primitive stone and earthen materials in the early period, but by the end of the Kofun period were made almost exclusively of jade. Magatama originally served as decorative jewelry, but by the end of the Kofun period functioned as ceremonial and religious objects.
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