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Berceuse – Composition resembling a lullaby, often calm and soothing. Burlesque – Composition intended to cause laughter by caricaturing the manner or spirit of serious works. Caprice – Lively piece, typically free in form and of a light, playful character. Carol – Festive folk song or popular hymn, often of religious nature.
Meeresstille und Glückliche Fahrt, Op. 112 ("Calm Sea and Prosperous Voyage") is a cantata for chorus and orchestra composed by Ludwig van Beethoven. It is based on a pair of poems by Johann Wolfgang von Goethe. They met in 1812; Beethoven admired him and the work is dedicated to Goethe.
Chill-out (shortened as chill; also typeset as chillout or chill out) is a loosely defined form of popular music characterized by slow tempos and relaxed moods. [1] [2] The definition of "chill-out music" has evolved throughout the decades, and generally refers to anything that might be identified as a modern type of easy listening.
New-age is a genre of music intended to create artistic inspiration, relaxation, and optimism.It is used by listeners for yoga, massage, meditation, [1] and reading as a method of stress management [2] to bring about a state of ecstasy rather than trance, [3] [4] or to create a peaceful atmosphere in homes or other environments.
Though the term "classical music" includes all Western art music from the medieval era to the early 2010s, the Classical era was the period of Western art music from the 1750s to the early 1820s [75] —the era of Wolfgang Amadeus Mozart, Joseph Haydn, and Ludwig van Beethoven.
Calm Sea and Prosperous Voyage (Meeresstille und glückliche Fahrt), Op. 27, is an orchestral concert overture by Felix Mendelssohn inspired by the same pair of poems by Johann Wolfgang von Goethe that inspired Beethoven's 1815 cantata of the same title (and in the same key, D major).
2-step garage – a chaotic style of UK garage.; 20th-century classical music – a loose term for orchestral music made during or after the 20th century.; 4-beat – a breakbeat hardcore style played between 150 and 170 BPM consisting of a fast looped breakbeat and a drum at every 4 beats.
Silent music (1941), by Raymond Scott (1909–1994) The band was going through all the motions: the swart, longish-haired leader led away; the brasses, the saxophones, the clarinets made a great show of fingering and blowing, but the only sound from the stage was a rhythmic swish-swish from the trap-drummer, a froggy slap-slap from the bull ...
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