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French orthography encompasses the spelling and punctuation of the French language.It is based on a combination of phonemic and historical principles. The spelling of words is largely based on the pronunciation of Old French c. 1100 –1200 AD, and has stayed more or less the same since then, despite enormous changes to the pronunciation of the language in the intervening years.
Many French words and verb endings end with silent consonants, lettres muettes, creating also homonyms are spelled differently but pronounced identically: tu parles, il parle, ils parlent, or confusion of je parlais instead of je parlai. [2] Homonyms also occur with accents il eut dit compared with il eût dit.
French pronunciation follows strict rules based on spelling, but French spelling is often based more on history than phonology. The rules for pronunciation vary between dialects, but the standard rules are: Final single consonants, in particular s, x, z, t, d, n, p and g, are normally silent. (A consonant is considered "final" when no vowel ...
Spelling and punctuation before the 16th century was highly erratic, but the introduction of printing in 1470 provoked the need for uniformity.. Several Renaissance humanists (working with publishers) proposed reforms in French orthography, the most famous being Jacques Peletier du Mans who developed a phonemic-based spelling system and introduced new typographic signs (1550).
French grammar is the set of rules by which the French language ... -x or -z in the singular are left unchanged in the plural in both pronunciation and spelling ...
The spelling of some words was changed to keep the pronunciation as close to the original as possible (e.g. leaven). In other cases, the French spelling was kept and resulted in totally different pronunciation than French (e.g. leopard, levee). [3]
In French, les objets trouvés, short for le bureau des objets trouvés, means the lost-and-found, the lost property. outré out of the ordinary, unusual. In French, it means outraged (for a person) or exaggerated, extravagant, overdone (for a thing, esp. a praise, an actor's style of acting, etc.); in that second meaning, belongs to "literary ...
French also shows enormous phonetic changes between the Old French period and the modern language. Spelling, however, has barely changed, which accounts for the wide differences between current spelling and pronunciation. Some of the most profound changes have been: The loss of almost all final consonants.
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